Love did not come easy for Molly Shannon and Emily Dickinson.
“In all honesty,” said Shannon, “I had the image of her that was presented to the public” — an apparition in white, shuttered in her bedroom in 19th-century Amherst, Mass., and loath to share her talents with the world. “She sounded so dark and dreary.”
Then she was offered the lead in “Wild Nights With Emily,” and suddenly her passions flared.
Written and directed by Madeleine Olnek, the dramatic comedy presents Dickinson as a lesbian who minced no words expressing her desire for her sister-in-law, Susan Gilbert Dickinson. And who desperately longed to see her nearly 1,800 poems in print, stymied by men at every step.
“It’s like, wow, we were fed a story about a spinster recluse who apparently didn’t want to be published and was rocking in her chair, peeking out her window at funerals, when really it’s the opposite,” Shannon said. “She’s a trailblazer rebel artist who pushed the envelope with a poetic form.”
Shannon is something of a rebel herself. From 1995 to 2001 on “Saturday Night Live,” she rivaled the physical humor — and influence — of her male co-stars with characters like Mary Katherine Gallagher, a Catholic schoolgirl with superstar dreams, and Sally O’Malley, a high-kicking 50-year-old dancer (impersonated by Hugh Jackman on Twitter in October when he hit the milestone birthday).
“Other People” — then recently joined him and Sarah Schneider, former “S.N.L.” co-head writers, to play the momager of a Bieber-esque pop star in Comedy Central’s “The Other Two.” And later this year she’ll return as Diane, the high-strung confidante of Sarah Jessica Parker’s uncoupled Frances, in HBO’s “Divorce.”
On a call from Tokyo, where Shannon, 54, and her husband, the painter Fritz Chesnut, were spending spring break with their teenagers, Stella and Nolan, she spoke about Emily Dickinson as an unlikely L.G.B.T.Q. hero and the collusion that tried to silence her.
Here are edited excerpts from the conversation.
Madeleine has said that casting you was extremely important to her — that with Emily Dickinson she knew that she finally had a part worthy of your stature.
Madeleine and I met at N.Y.U. drama school. She directed this show called “The Follies,” which was scripted comedy in a black box theater at midnight, and Adam Sandler was in it and we would do impersonations. I created the character of Mary Katherine Gallagher in that show, so early on I just thought Madeleine was amazing. And she knows how hard I struggled to make it in comedy, so I think that’s why she thought I would be great to play Emily Dickinson.
After Emily’s death, Susan’s name was erased from their correspondence. How did their relationship come to light?
Let’s block ads! (Why?)